Goert Giltay, recently retired director of photography with a huge track record, likes to leave things up to others when his style is concerned. Every film was a new search. Sometimes his work had to be zen and a few times he got angry. But friendship was the core of his work, with ‘his’ heroes of cinema, the directors.

Director of Photography Lennert Hillege claims he does not have his own style. He is just as good or bad as the project he works on. He says he is always looking for the right wavelength to attune to in collaborations, whether that is with directors he has worked with for years or whether he works with new ones, such as Steve McQueen with whom he worked recently.

On Wednesday, June 14th, the NSC presented the exclusive HBO CAS 2023 showcased by Director of Photography:Suny Behar.

Piotr Kukla will often use that word in this interview when he is talking about something or someone. A little afraid that he won’t be able to work in the Netherlands anymore because of his age, enthusiastic about his students at the Łódź Film School in Poland. Full of love for the directors he has worked with for years, and where storyboarding is sacred.

In the run-up to the ceremony of the 4th edition of the Robby Müller Award, the NSC takes you on a journey along the films of winner cinematographer Hélène Louvart AFC.

Sander Snoep has been a well-known player in the Dutch documentary scene for years and would never have expected to still be so passionate about his profession. He is still curious every single time he’s starting a project. How his films get made, in rain or shine, does not matter to him. As long as they come about.

He’s aiming for a large audience. His work has to be seen by as many people as possible. He talks about balance, Dutch DP Paul Özgür. In style and story and also in his own portfolio. And then there are the rules.

A Gouden Kalf Award (Dutch film award) for her first feature film; that is what happened to DP Myrthe Mosterman in October 2020. In a Zoom interview, she talks about her style and how she prefers to work. NSC manifest New Deal pops up once again in this interviews series and it seems inevitable to address ‘being a woman’ within this ‘male profession’. But so far, she does not yet have to use a nom de plume.

There were five films on the shortlist for discussion with DP Jean Counet. Two feature films and three documentaries. Although Counet studied Directing at St Lukas, Brussels, he prefers to be a cameraman. But the conversation via Zoom kicked off with his own work, due to the March 2020 lockdown.

Martijn van Broekhuizen worked on the first season of Gangs of London and is currently shooting the second season. 

Netherlands Society of Cinematographers initiates a series of interviews. NSC chair Richard van Oosterhout starts. He talks about his work, a Dutch New Deal, creativity on set and about breaking with what you know.

Kelly Reichardt will receive the second annual Robby Müller Award. As part of the award, she will also receive a gallery print of one of Robby Müller’s Polaroids.

SIDIK AND THE PANTHER is a film about a man called Sidik, wandering around in the mountains of Kurdistan looking for a sign of the Persian leopard. Directed by Reber Dosky and shot by Roy van Egmond. Selected for IDFA 2019 and Camerimage 2020, mominated for an IMAGE award.

ZUSSEN (SISTERS) is a short dance film by director Daphne Lucker and cinematographer Casper van Oort. It has screened and has won prices at festivals all over the world. In November it screened in the student competition at Camerimage and it won the IMAGO Student Award 2020. 

ONDERHUIDS (UNDER THE SKIN) from director Emma Branderhorst and cinematographer Michel Rosendaal screened at the Berlinale earlier this year. We spoke with Michel about this poetically shot twenty-minute short film. 

The Robby Müller Award honours an ‘image maker’ who, in the spirit of the late Robby Müller, has created an authentic, credible and emotionally striking visual language throughout their oeuvre. The first award goes to Diego García and will be presented at the 49th International Film Festival Rotterdam.

"Wil de Nederlandse filmcultuur overleven, dan zal de filmketen een filmketting moeten worden! Dan moet het einde van die keten (de filmexploitatie) aan het begin (de filmproductie) geklonken worden. Dan moeten de baten aan het einde de 'boost' voor een nieuw begin zijn."

“Doreen krijgt heel veel power.” Aldus waarnemend Filmfonds-directeur Ger Bouma tien jaar geleden over de benoeming van Doreen Boonekamp tot directeur. Anders dan haar voorgangers kreeg Boonekamp bij haar aantreden twee petten: ze werd zowel directeur als bestuurder van het Filmfonds.

Uit een NSC-enquête die in mei 2018 onder de leden is gehouden, was de belangrijkste conclusie dat het de DP’s frustreert dat ze hun werk niet optimaal kunnen uitvoeren. Daarom dit manifest met suggesties om het werkproces te veranderen.

Living the Light – Robby Müller, made by Claire Pijman NSC, will have its world premiere at the 75^th Venice International Film Festival and is selected for the Venice Classics competition

'Paolo Ventura, Vanishing Man,’ shows how an Italian artist creates his own timeless melancholic world in a barn on an abandoned mountaintop in Italy. With paint, cardboard, and relics of a human life, he resonates his childhood’s memories and isolation by giving himself and found objects a new magical life.   

Dutch cinematographer Frank van den Eeden (May 14, 1971), resident of Antwerp is best known for his work with directors such as Fien Troch, Nanouk Leopold and Jan Verheyen. Besides many nominations he has won several awards for his work as cinematographer.  One of his later productions is ‘Waldstille’ from writer and director Martijn Maria Smits, a feature film that got its world-premiere during the San Sebastian Film Festival in 2016. The NSC talked with Frank about this film.

The Netherlands Society of Cinematographers (NSC) conducted a survey among its members as a response to the Netherlands Film Production Incentive 2014-2017 evaluation.

While cleaning up his archive, film journalist Hans Beerekamp found several editions of the (small-scale published) Dutch film magazine Cineécri.

Immediately after his graduation from the Dutch Film Academy in 2006, Daniël Bouquet made a flying start as Director of Photography. For his second feature length production “Nothing Personal” (2008) he won the Golden Calf award for best Cinematography during the Netherlands Film Festival in 2009. Nowadays he works mainly on a variety of international projects, amongst commercials for major brands like Adidas, Gillette and Vogue. The NSC talked with him about his career, interests and more.  

Joris Kerbosch (Culemborg, 1980) is best known for his work as cinematographer for directing duo Steffen Haars and Flip van der Kuil, for whom he shot the movies ‘New Kids Turbo’ (2010), ‘New Kids Nitro’ (2011) and ‘BROs BEFORE HOs’ (2013). ‘Ron Goossens, Low-Budget Stuntman,’ is their fourth feature film collaboration. Together those comedies where amongst the highest grossing films in The Netherlands and acclaimed international recognition. NSC spoke with cinematographer Joris Kerbosch about the film.